30+ Art Licensing Companies and Agencies Accepting Submissions

Finding the right art licensing companies can feel like walking through a maze. When I started, I didn’t know who took submissions, what they wanted, or how to reach out. There wasn’t a map. Every website I found said the same empty things.

So I made the kind of list I needed back then. Real companies, agencies, and fabric brands that actually take submissions, with notes on each one. I’ve sent my own work to some, talked with artists who’ve worked with others, and dug deep on the rest.

This list is for illustrators, surface designers, and fine artists who want to license their work with purpose. No guesswork, no vague advice – just clear paths to follow.

Before jumping in, if you’re just starting out and want to understand how licensing fits into the bigger picture of making a living from your art, I recommend checking out my full Art Licensing Guide and my breakdown of how to license artwork.

Key Points

• Always tailor your submission to match the company’s aesthetic and market (home decor, stationery, publishing, etc.).
• Make sure your art licensing portfolio is easy to navigate and focused. Less is more.
• Have your supporting materials ready: a solid artist bio, statement, and website go a long way.

Art Licensing Companies Accepting Submissions

Here’s the good stuff. These are companies either actively promoting their open submission policies or known for reviewing new work regularly. I’ve added my notes based on personal experience or research.

Image Conscious

This company specializes in open-edition posters and home decor. They tend to look for work that fits current interior design trends – think calm palettes, abstract botanicals, and contemporary minimalism. When I submitted, I sent 15 images by email, and they responded within a week. Super friendly and efficient. I recommend checking what’s trending in wall art on large decor sites before choosing what to submit. Group your pieces in a cohesive set – this really helps with presentation.

McGaw Graphics

A big name in the poster and reproduction world. They’ve been around forever and have broad distribution. If your work has a timeless or bold feel, they’re worth a look. Their submission process is professional and straightforward. I’ve noticed they lean toward bold, impactful pieces – things that stand out from across the room. Think gallery wall potential. One artist I know signed with them and said the team was communicative and provided helpful feedback.

Bridgeman Images

More traditional and fine art leaning. They license work to museums, publishers, and media worldwide. Their catalog is vast and includes classic art alongside contemporary works. When I submitted, I focused on more refined, detailed pieces with a natural history or vintage illustration vibe. It’s not the fastest process, but if you’re a fine artist with a traditional style, Bridgeman has serious reach and long-term potential.

Amber Lotus Publishing

If your work has a spiritual, mindful, or nature-connected vibe, Amber Lotus is a great fit. They publish calendars, journals, and gift items. I’ve followed their catalog over the years, and they consistently showcase artwork with a calm, grounded presence. Submitting nature-inspired illustrations or pieces with a seasonal feel can go a long way here. You can reach out via email, and they sometimes discover artists through Instagram.

Tiphaine

Tiphaine has a very curated and high-end look. Think fashion-forward, lifestyle-driven illustration. Their artist roster is tight, and they rarely take on new talent, but they’re open to portfolios if your style aligns. I’d only submit here if your work looks like it belongs in an international design magazine or luxury packaging – very editorial, very crisp.

Somerset Fine Art

Somerset is rooted in traditional fine art and has a strong presence in Western and wildlife themes. If you paint realistic landscapes, horses, or pastoral scenes, this is a go-to. I’ve seen their work in galleries and home decor stores. It’s not a fit for every artist, but if your painting style leans traditional and detailed, they’re definitely worth researching.

Wild Apple

Wild Apple has been a huge name in decor publishing for years. They lean heavily toward clean, trend-aware artwork that fits into lifestyle spaces – botanicals, abstract compositions, neutral palettes. A friend of mine who works with them said they appreciate artists who understand collection-building: three or more pieces that feel like a set. You can submit directly on their site, and they’re fairly responsive.

Oh So Beautiful Paper

More of a design blog-turned-platform than a formal agency, but they license and collaborate with artists for stationery and wedding products. If you do delicate line work, soft florals, or lettering, this is a great exposure opportunity. I’ve seen artists featured here land stationery and bridal design gigs from a single feature.

Lilla Rogers Studio

Lilla Rogers is probably the best-known illustration agent in the licensing world. Her agency is famous for its Make Art That Sells course, and many artists transition from student to represented talent. I’ve submitted and also taken the course – it’s competitive, but the feedback is gold. They prioritize a distinctive, whimsical style and often help shape your work into collections.

Handsome Frank

Handsome Frank UK-based agency is polished and modern. They focus on editorial, packaging, and advertising work. If you’ve got strong character design or conceptual illustration, it’s worth reaching out. I haven’t worked with them directly but have several artist friends who say their contracts are transparent and their client list is excellent.

Robert Kaufman Fabrics

If you’re interested in fabric design, Kaufman is a big player. You’ll need to understand how to create repeat patterns and manage color layers, but once you get the hang of it, it’s a solid niche. I’ve found that sending a small but tight PDF collection of themed patterns works best. Bonus if you already understand seasonal fabric trends (like holiday, nature, or kid-friendly motifs).

Creative Connection, Inc.

This agency is known for being organized and artist-focused. They cover a lot of product categories – from home decor to paper goods. I’ve had a few email exchanges with their team and appreciated how clearly they laid out their expectations. If you like having someone pitch your work rather than going direct to brands, agencies like this can be a good fit.

Courtney Davis

Very niche but worth mentioning – this agency works mostly with Celtic and historical art. If your work incorporates symbolic motifs, sacred geometry, or folklore themes, you might actually stand out here. I submitted a piece from my mythology series and got a nice, thoughtful reply. Not every agency is that personal.

Porterfields Fine Art Licensing

Porterfields is more traditional – lots of landscapes, still lifes, and fine art oil painting. Their submission process is via email, and they’re actually quite fast to reply. A friend of mine had her floral series picked up by them for canvas prints. I’d recommend reaching out with a polished body of work in a specific genre (like coastal landscapes or florals).

Magnet Reps

Magnet is a higher-end rep agency. They focus on commercial-ready art and expect a high level of professionalism. If you’re new to licensing, I’d wait until your portfolio is more developed before submitting. But once you’re ready, they’re a strong ally in getting your work in front of the right clients.

Ansada Licensing Group, LLC

Versatile and approachable. I’ve seen them rep work across multiple markets – textiles, giftware, calendars. What stood out to me was how artist-friendly their submission guidelines were. They’re very clear about how they license, which makes them a great option for first-timers.

Folio Art

UK-based and editorial-focused, Folio Art has a sharp, curated look. Think book covers, packaging, and magazines. If you do conceptual illustration or work that tells a story, this is a good fit. They’re more responsive to curated emails than mass submissions – send your best, tightest work.

Jennifer Nelson Artists

A joyful, color-forward agency. I love how they present their artists – clean, fun, and professional. I once got feedback on a submission that helped me refine a whole series. They’re active on social media and transparent about what they’re looking for, which I really appreciate.

The Bright Agency

Big and competitive. If you’re aiming to break into children’s books or character-driven design, they’re a top agency. Their submission process is straightforward, and they reply fairly quickly. I’ve noticed they’re very consistent about branding – every artist they rep has a clear niche.

Meiklejohn Illustration

One of the oldest UK agencies still going strong. Their work leans commercial and polished. If you’ve got a clean, confident illustration style, they’re worth reaching out to. They’ve been around long enough to have strong relationships in publishing and design.

Jehane Ltd

Jehane’s agency is warm and intentional. She focuses on artists who bring a thoughtful, detailed quality to their work – often surface pattern design, textiles, and lifestyle products. Her open calls are usually posted on Instagram. It’s worth following her to catch those windows.

Suzanne Cruise Creative Services

This agency is more traditional, and Suzanne has a background in licensing going back decades. Her company reps a lot of artists in the decorative and giftware industries. If your art is commercial, product-friendly, and colorful, she might be a fit.

London Portfolio

Known for high-end clients in publishing, decor, and gifting. They lean toward refined, polished collections. If you can imagine your work on luxury stationery or wall decor in a boutique hotel, this agency fits the bill. Their site offers detailed submission instructions.

Penny Lane

Penny Lane publishes posters and prints that end up in stores like Target and Bed Bath & Beyond. A good fit if you have a deep back catalog of themed collections – think dogs, wine, holidays, and inspirational quotes. They’re always looking for volume and variety.

A Fresh Bunch

They operate more like a collective, connecting artists to brands without full-on representation. Great if you like collaborating without signing away exclusive rights. They look for artists with a commercial, polished portfolio who can meet deadlines.

Brenda Manley Designs

Seasonal, whimsical, and bright work does well here. Brenda is very engaged with her artists and often offers portfolio advice. She’s especially active in the surface pattern and stationery market.

Plum Licensing

Boutique but growing. I’ve heard good things from other artists about their communication and client relationships. A smaller agency can sometimes be more hands-on, which is a plus.

Anna Goodson Illustration

Bold, diverse, and editorial-focused. They represent a wide range of voices and have a strong stance on inclusivity. Very competitive, but if your work is edgy and conceptual, it’s worth a shot.

Artistic Designs Group

Large catalog, with lots of focus on home decor and giftware. Their site shows trends in the kinds of work they license – florals, beach scenes, inspirational quotes. Submitting with themed collections really helps here.

Advocate Art

Massive agency with global reach. They work with every kind of illustration – editorial, educational, children’s, and more. They also run regional branches, which makes it easier to connect with an agent in your market.

Oskar Illustration

A smaller, curated agency. They lean toward thoughtful, elegant work that’s a bit more subtle than splashy. If you do packaging, books, or editorial work with a narrative feel, they’re a great option.

Yellowhouse

Relatively new and looking to grow. I submitted a mini portfolio here and received a friendly reply within days. If your work blends traditional techniques with modern trends, you may be a great fit.

Snyder Licensing

Big on nostalgia, holidays, and Americana-style work. They’re especially busy around the gift and home decor seasons. If you’ve got Christmas collections or retro-themed art, this is one of the most targeted agencies out there.

Pink Light Studio

They rep colorful, cheerful, product-friendly art. Perfect for surface designers, illustrators, and anyone doing kid-friendly work. They’re often open to submissions and respond pretty quickly with clear next steps.

Fabric Companies Accepting Art Submissions

Spoonflower

Spoonflower is a well-known print-on-demand fabric platform where artists can upload their designs and sell directly to customers. There’s no formal submission process – you simply create an account, upload your repeating patterns, and order a proof swatch before the design goes live for sale. Artists earn 10%–15% in royalties on every sale, and the platform handles printing, shipping, and customer service.

Art Gallery Fabrics

Art Gallery Fabrics is a boutique fabric company known for its modern, stylish prints and high-quality cottons. They accept portfolio submissions from surface designers and illustrators who have a cohesive style. They typically look for full fabric collections (around 8–12 coordinating designs) with a strong theme. Submissions should include repeats, mockups, and a short bio or artist statement. Contact is usually made via email, and they occasionally feature open calls on their social media.

Windham Fabrics

Windham Fabrics works with both emerging and established artists to create collections for quilters and crafters. They prefer themed collections that include a variety of scales, textures, and colorways. While they don’t have an open call page, you can submit directly to their art department with a portfolio link and a short introduction. They tend to license designs on a royalty basis and offer artist support through marketing and distribution.

Riley Blake Designs

Riley Blake Designs is a popular fabric company in the quilting world, known for bright, playful prints. They work with licensed artists to develop themed collections that include a lead print, coordinates, and sometimes panels or border prints. While they don’t advertise open submissions, they do review artist portfolios sent via email. A strong social media presence or existing following can also help make your pitch stand out.

FreeSpirit Fabrics

FreeSpirit Fabrics collaborates with high-profile designers and emerging talent alike. They lean toward bold, artistic styles and statement-making prints. To submit, artists typically send a portfolio of surface designs (with repeats), a bit about their background, and how they see their work fitting into the fabric market. Collections usually contain 10–15 prints, and they often prefer artists who can create multiple collections over time.

Paintbrush Studio Fabrics

Paintbrush Studio is part of Fabri-Quilt and works with artists who can bring fresh, trend-aware designs to quilting and home sewing markets. They look for complete collections (at least 6–10 prints) with commercial appeal. You can submit by emailing a PDF portfolio or a link to your website, ideally with repeats and colorways included. They license on a royalty basis and often plan collections a year or more in advance.

Manufactures Looking for Artwork

Studio M

Studio M is the artful home division of Magnet Works, focused on decorative flags, garden art poles, mats, and seasonal home décor. They actively seek out new artists and license a wide range of styles – from whimsical to painterly. To submit, you’ll need a cohesive portfolio, preferably seasonal collections, and an understanding of what sells in the home and garden decor market. Submissions can be sent via email through their website’s contact page.

Leanin’ Tree

Leanin’ Tree is known for greeting cards and gift products, often featuring illustrations, animals, and nature-inspired themes. They accept artist submissions year-round and outline clear guidelines on their website. They prefer JPEG submissions of 10–12 sample pieces, along with a link to your portfolio and a short introduction. They typically license work, rather than buying it outright.

Lang Companies

Lang produces calendars, planners, mugs, and other gift products with a traditional, painterly aesthetic. They usually work with established artists who have a recognizable style, especially those suited for seasonal, cozy, and rustic designs. Submissions can be made through their licensing department via email, including a PDF or link to your portfolio and any relevant product mockups or themes.

Demdaco

Demdaco licenses artwork for a broad range of gift products, from figurines and home decor to stationery and textiles. They look for meaningful, heartfelt art and messages, often with a sentimental or faith-based tone. Artists can reach out via email with samples of work, a bio, and an explanation of how their art aligns with Demdaco’s product lines. While they don’t list open calls often, they are open to reviewing new portfolios.

GreenBox Art + Culture

GreenBox Art creates canvas wall art, gifts, and home decor with a contemporary, youthful vibe. They look for colorful, expressive, and original art styles that feel unique to the artist. They license work and have an artist submission form on their website. Submissions should include a link to your portfolio and a sampling of art that might work well for home decor or children’s spaces.

Artistic Reflections

Artistic Reflections produces wall art, prints, and home décor items. They work with licensed artists in a variety of styles – photography, illustration, fine art, and typography. You can submit a digital portfolio via email, and they recommend showing how your artwork might translate to products like wall plaques, framed prints, or coasters. Collections that fit a theme or have commercial versatility are preferred.

Other tips to increase your licensing odds

One thing I’ve learned from submitting to dozens of licensing companies is that it’s not just about the art – it’s about how you present yourself as a professional. I used to spend hours tweaking colors or adding details to my artwork, but I rarely took time to think about the bigger picture: how I was showing up as a potential partner.

Here are a few things that made a real difference for me once I started taking them seriously:

• Make sure your artist resume and profile are clear and relevant. I didn’t have much exhibition history at first, so I focused on building a narrative that explained my work and values. That helped a lot with agencies that look for a good personality fit.
• Build an online home for your work. I put off making a real website for too long, and it definitely held me back. Once I launched a clean site with just a few focused galleries, it made me feel more legit – and it gave companies a place to reference beyond the submission email. If you’re stuck, check out my post on artist websites – it breaks down the essentials.
• Create a strong artist newsletter to build your own audience too. This might not seem related to licensing at first, but I’ve had companies check out my newsletter and say they appreciated how engaged my audience was. It shows that you’re active, consistent, and building a brand – which matters more than we think.

Travel often shapes the kind of art I create and license. Seeing color, design, and wildlife in different destinations inspires collections that feel connected to place. If you’re curious about how travel fuels creativity, you can read more in my travel journals and explore wildlife-rich safari locations that have influenced my sketches.